Evola Julius – Giulio Cesare Andrea Evola

Giulio Cesare Andrea Evola (19 May 1898 – 11 June 1974), better known as Julius Evola , was an Italian philosopher, painter, and esotericist. Evola regarded his perspectives and spiritual values as aristocratic, masculine, traditionalist, heroic and defiantly reactionary.

Evola believed that mankind is living in the Kali Yuga, a Dark Age of unleashed materialistic appetites, spiritual oblivion and dissolution. To counter this and call in a primordial rebirth, Evola presented his world of Tradition. The core trilogy of Evola’s works are generally regarded as Revolt Against the Modern World, Men Among the Ruins, and Ride the Tiger. According to one scholar, “Evola’s thought can be considered one of the most radically and consistently antiegalitarian, antiliberal, antidemocratic, and antipopular systems in the twentieth century.” Much of Evola’s theories and writings is centered on Evola’s own idiosyncratic spiritualism and mysticism—the inner life. The philosophy covered themes such as Hermeticism, the metaphysics of war and of sex, Tantra, Buddhism, Taoism, mountaineering, the Holy Grail, the essence and history of civilisations, decadence, and various philosophic and religious Traditions dealing with both the Classics and the Orient.

Evola’s work was influential on fascists and neofascists, though he was never a member of the Italian National Fascist Party or the Italian Social Republic and declared himself an anti-fascist. He regarded his position as that of a sympathetic right-wing intellectual, saw potential in the movement and wished to reform its errors, to a position in line with his own views. One of his successes was in regard to the racial laws; his advocacy of a spiritual consideration of race won out in the debate in Italy, rather than a solely biological reductionism concept popular in Germany. Since World War II many Radical Traditionalist, New Right, Conservative Revolutionary, fascist, and Third Positionist groups have taken inspiration from him, as well as several apolitical occultists, such as Thomas Karlsson and Massimo Scaligero.

After the war, attracted to the avant-garde, Evola briefly associated with Filippo Marinetti’s Futurist movement, but became a prominent representative of Dadaism in Italy through his painting, poetry, and collaboration on the shortly published journal, Revue Bleu. In 1922, after concluding that avant-garde art was becoming commercialized and stiffened into academic convention, he reduced his focus on artistic expression such as painting and poetry.

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